Redjak's finally started using AI

Artificial Intelligence is here! Really! Anything created with AI assistance, including stories, should be posted here.
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Boggy Man
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Re: Redjak's finally started using AI

Postby Boggy Man » Fri Oct 23, 2026 1:08 am

redjak6t4 wrote:Some news.


If you've followed this thread you might be aware that MadMax359 and myself have long wanted to see big-busted women in quicksand with their breasts fully exposed. Yesterday, after some digging I found out where I stand on this issue, as a creator of AI generated QS images.

I use Grok and am entirely comfortable with it and probably won't change from using it. However, it refuses to generate any images showing full or partial nudity and always refuses to generate the images Max and I want to see - buxom women showing off their uncovered breasts while deep in quicksand. Now I know the reason why.

Grok users have the option of switching to Spicy Mode and this will then allow nude and topless images to be generated. But that option doesn't apply in certain regions. The UK government has imposed a limit of what it citizens can do with Grok and the Spicy Mode is not permitted, here in England. There is, of course, nothing that I can do about this. Even switching to another AI program wouldn't work. The same limitation would be imposed on that one too.

So, there it is. I'm a little disappointed with this but take comfort from the images I CAN create with Grok. They seem to be appreciated here.



Thanks,

Redjak.



What about using a proxy server to make it look like you are from a different country (there are also VPN's, but they are slower because they add encryption)?
I sink, therefore I WAM!!!!

(((ioi)))

-The Boggy Man

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redjak6t4
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Re: Redjak's finally started using AI

Postby redjak6t4 » Fri Oct 23, 2026 2:31 am

That's a clever idea, Boggy Man.

The catch is that the doing of it means stepping outside of the law. Which is something I've never done - at least not knowingly. There's also the risk of drawing unwanted attention to myself by breaking this law. Something I'd prefer to avoid. Much better, I think, to just carry on as before and be happy with that.

But I do thank you for your interest and ingenious input. :D

Redjak.

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redjak6t4
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Re: Redjak's finally started using AI

Postby redjak6t4 » Fri Oct 23, 2026 6:19 pm

The time has come round for us to wander down Memory Lane once more and see the quicksand perils of the silver screen in days gone by.

Jungle Girl and the Swamp Monster.png


The year is 1942 and Republic Pictures are cashing in the success of their 1941 serial, Jungle Girl with a new 12-episode adventure called Jungle Girl and the Swamp Monster. The evil queen Mara (played by a blacked-up Myrtle Edwards) has begun a reign of terror using a hideous monster to slay her enemies and cause mayhem. She exercises control over the creature using voodoo-like magic.

The usual run of jungle adventures (poisonous snakes and spiders, marauding lions and hungry cannibals) befalls Jungle girl and her brave companions before the climax in the final episode, Deadly Magic. Mara is defeated, tries to flee into the jungle and becomes enmired in dangerous quicksand. Before Jungle Girl can save her, she is seized by the Swamp Monster, which exacts its own revenge on her.

The monster holds her tight in its inescapable grip, taking Mara down with it into the oozing mud. Mara’s terrified screams are cut short as the Swamp Monster clamps its gruesome hand over her mouth, gagging her as it pulls her under. The last we see of this scene is a distressed Jungle Girl watching the bubbles of Mara’s last breath rising up to the muddy surface. The camera lingers on the mud as the dramatic end music plays.

Lost City of Evil.png


Lost City of Evil was filmed by Republic in 1946 but not screened until the following year. A ten-episode potboiler set in deepest, darkest Peru it revolves around a team of American archaeologists searching for the city of Makku Piku, the last retreat of the Incas in the face of pursuit by the Spanish conquistadors. They discover the city but also find that the surviving Incans have descended into madness and now worship the spider god Quachil.

In episode 5 Gail Porterson (Helene Dubois) is captured and becomes a sacrifice to the children of Quachil – four huge “baby” spiders, sinking in tight bondage into a quicksand pit while being menaced by the spiders. Porterson’s comrades drive off the attacking arachnids but it’s almost too late. We see the lady archaeologist’s terrified face disappearing into the quagmire. Her muffled, despairing scream is cut off when she goes under. Prof Rex Maitland (Ralph McTiernan) dives in to save her in the nick of time.

As an aside it should be noted that Dubois was not rated for her acting ability but made a number of low-budget films and short features mostly on the strength of her outstanding 48-inch HH cup bustline.

Dynamo Girl versus the Robot Legion.png


Perhaps the first female superheroine to make it to the big screen was Diane Princeton, aka Dynamo Girl. Deriving her super strength from the dyno-galvanic apparatus of her mentor, Doctor Tezla (Vaughn Troughton) the role of Dynamo Girl is played by Jayne Rushbrook. Dynamo Girl versus the Robot Legion appeared on screens in 1949.

Episode 3 sees her temporarily robbed of her powers by the Master Robotoid’s Negative Energy Ray, leaving her as weak as any ordinary human being. Trapped in a locked steel cell, helplessly bound, gagged and blindfolded Dynamo Girl faces the twin perils of rising mud and the deadly attentions of two Type 7 Killer robots.

The episode ends with the robots remotely deactivated by Dr. Tezla but Dynamo Girl being overwhelmed and buried alive by the sticky, clinging mud. The screen fades to black just as the mud closes over her tape-covered face.

See next week’s exciting episode at your local cinema!

The Red Circle Returns.png


In episode 10 of The Red Circle Returns (1946) the heroine Mae Clark (Lois Wednesbury) is captured by the Black Hood and subjected to a drawn out and terrifying form of execution. The poor girl is locked into a steel-lined chamber the walls of which are being forced together by hydraulic rams. Dense sticky mud is being pumped into the dwindling space Mae is trapped in.

So, will she be engulfed and suffocated by the rising mud before she is crushed or will the walls get her first? Helplessly bound, gagged and unable to save herself, do the Daredevils of the Red Circle even know that she’s been abducted? Do they even know the location of Black’s Hood’s secret lair? Can they get there in time to save her from certain death?

This scene is notable for the length of time devoted to showing Mae’s futile struggles and frantic, muffled screams as the tension mounts. The very end of the episode sees her terrified face being covered up by the mud and the walls closing in on her. How can she possibly survive and make it to episode 11?

Leopard Girl.png


In 1947 Republic released Leopard Girl, trying emulate the success of RKO’s Tarzan and the Leopard Woman from the previous year. Veronica Layton is cast in the lead as Leopard Girl and with the assistance of American big game hunter Tad Rollinson (Ian Blackwood) she battles the chief of the evil Yenelo tribe and his warriors for the valuable store of ivory tusks in the Elephant’s Graveyard. Leopard Girl persuades Rollinson not to disturb this sacred site for monetary gain and together they fight to stop the Yenelo chief from desecrating it and stealing the ivory.

In episode 11 Leopard Girl is trapped in a stockade filled with deep mud and is menaced by a mud monster summoned up and controlled by the Yenelo witch doctor. The episode ends with the horrible monster forcing her head under the surface and holding her there until we see her breath come bubbling up to the oozing surface. The camera holds the shot of the monster holding her under for almost a minute before the credits roll, prompting the question, 'Did Veronica Layton really allow herself to be held under the mud for that long?'

The answer remains unknown to this day.

:twisted:
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MadMax359
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Re: Redjak's finally started using AI

Postby MadMax359 » Sat Oct 24, 2026 6:41 am

i hate spiders, i'm going to have to drive them away as well (a bit of cutting and pasting!) :twisted:
The strong do what they want, the weak do what they must

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redjak6t4
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Re: Redjak's finally started using AI

Postby redjak6t4 » Sat Oct 24, 2026 7:19 am

I'm a mild arachnophobe too, Max.

I thought I'd trained myself not to be scared of them, but a certain incident has set me back a bit. There was one of these...

https://en.wikipedia.org/wiki/Giant_house_spider

...at a friends house so I put on some nitrile gloves, scooped it up in my right hand and took it outside. Just before I put it down I felt a sharp stabbing pain. The bastard had bitten me! Right through the plastic glove too. When I took it off there were two small drops of blood marking the puncture wounds where its fangs went in.

The next day the knuckle of my index finger had swelled up. Which is amazing when you think about it. I'm a hundred times larger than anything that spider has evolved to hunt. And look at the effect it had on me!

We agree Max. They're nasty little buggers.

:(

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redjak6t4
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Re: Redjak's finally started using AI

Postby redjak6t4 » Mon Oct 26, 2026 5:56 pm

I'm trying out something new today.

Rather than overtly showing a woman in bondage sinking into quicksand so that her peril is on open display, I'm taking a different line. A line where the threat of the quicksand and the horrible death implied by sinking into is just that - implied. Not actually seen so much as hinted at or suggested.

This approach is sometime used in horror films where, instead of actually seeing whatever fearful 'thing' is stalking them, we see the unease, alarm and then the outright terror of the next victim/s. The Blair Witch Project comes to mind. Did we ever properly see what was terrorising those kids?
No. The dramatic tension in the film was ratcheted up and up again by what wasn't seen. By what was heard but not visible. By what happened just off camera.

In these following images, we the audience know what Redjak intends for his victims - but they don't. They discover the terrible truth by slow degrees as he plays his mind games with them before any quicksand is seen. In fact, no real quicksand appears in any of these images. Only in the last does it appear and then only on a screen.

If you think this experiment has worked, if it needs some tweaking or has failed badly, please let me know. Your feedback is very welcome.

Thanks,

Redjak.

busy times.png


Introduction.png


Which colour tape.png


Joyce.png


Laura.png


:twisted:
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Sekani
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Re: Redjak's finally started using AI

Postby Sekani » Tue Oct 27, 2026 5:15 am

Limbless was definitely different

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redjak6t4
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Re: Redjak's finally started using AI

Postby redjak6t4 » Tue Oct 27, 2026 9:30 am

Ah Sekani,

The twisted darkness of my soul harbours many weird kinks. I'm not an amputee fetishist per se. But I do find contemplating the lot of a limbless woman in Redjak's hands to be... interesting. He doesn't have to go to elaborate lengths (rope, tape, chains, barred and locked cells, etc.) to immobilise her and to stop her from escaping.

The very shape of her body does all of that for him. She's totally reliant on others for mobility and almost everything else. So there's no need for him to render her helpless through bondage or confinement. But old habits die hard and he is obsessed with mummification bondage after all. Which is why, even though she has no arms or legs to confine within the wrappings, he mummified her.

The gag isn't coming off because she has no means of removing it herself. The poor gal is just a passive sex object upon which he can practice his dark arts and with which he can satisfy his deranged desires.

Pure evil of course.

:twisted:

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redjak6t4
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Re: Redjak's finally started using AI

Postby redjak6t4 » Thu Oct 29, 2026 6:47 pm

HVP.jpg


Tonight on Hollywood Vaults Presents we look at...

THE HAUNTED BAYOU : A REX WHITLOCK MYSTERY

Republic Pictures had only being making adventure serials for four years and yet knew their audience and their market very well. Thrills and spills, rocket ships and robots, wild west stories, intrepid explorers in lost jungle cities and exciting crime mysteries. The Haunted Bayou fell into the last category and featured the ace detective Rex Whitlock (Miles Thompson) investigating a series of inexplicable disappearances and thefts in Louisiana.


THB.png


He follows the trail of clues to a sleazy bar in a hick town and there is accosted by Trixie, who tries to entice him to her hotel room.

T1.png


Played by Italian actress Rafaella Lordi, she is, in fact, the moll of Maxie Zoller (Vince Lombardi) and is setting a trap for Whitlock. The sultry, husky-voiced Lordi plays the part of Trixie as a bad-to-the-bone vamp in all twelve episodes, but gets her comeuppance in the final reels when her wicked ways finally catch up with her.

Fleeing the forces of law and order she runs in a blind panic through the murky cypress forests swathed in Spanish moss and becomes lost. The ghost that was rumoured to haunt the bayou now shows itself and, terrified of the shambling apparition, Trixie stumbles into a deep and deadly bog.

T2.png


Whitlock and the police are on the trail of Zoller and Trixie's disappearance goes unnoticed by them until it is too late.

T3.png


With no hope of rescue bad girl Trixie struggles madly to avoid being sucked deeper and deeper.

T4.png


But it's no good and the cameras stay focused on her as she loses her fight to survive.

T5.png


Whitlock arrives just in time to see the ghost watching over Trixie's demise as bubbles rise to the oozing surface of the bog. The ghost fades away and he is joined by local police officers. They moralise that she got what she deserved and now that justice has been served the unhappy spirit that haunted the bayou can now rest in peace.

:twisted:
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MadMax359
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Re: Redjak's finally started using AI

Postby MadMax359 » Fri Oct 30, 2026 7:01 am

what a waste of a good villainess! :twisted:
The strong do what they want, the weak do what they must


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