sixgunzloaded wrote:Fred588 wrote:My own preference is for the mud to NOT be underwater. However, I think it must be recognized that there are more than two possibilities. For example, and completely consistent with reality, a mud pit could be 99 percent mud but, due to a recent, or even concurrent rain, there might be patches of water and patches of mud. The fact of being almost all mud would become more apparent as the victim struggles and stirs things up.
I think a good example of this would be the "Incredible Hulk" scene with Bill Bixbey/Lou Ferigno. You couldn't see the qs at all at first because of the water and leaves, but as soon as it got good and stirred up, the mud looked great.
And, if I may be so bold, I tried my own take on this a few years back, here:
viewtopic.php?f=13&t=14078&start=96
Indeed, and I have probably contributed quite a few myself. When one is doing a shoot with a production goal of five scenes a day for two, or even three, days, one pretty much has to keep going when it rains, or right after the rain has stopped. While my pits have overflow systems, those do not always work all that well, with the result that there will be puddles of water on the mud until it gets mixed in.