Quicky Sanders: The Exhibit
Posted: Tue May 03, 2016 8:06 am
Marco paced back and forth impatiently. He had spent weeks assembling his new ancient Egypt-themed exhibition, containing numerous priceless artifacts and replicas, something he pitched as being appealing to both historical aficionados and young children. But, before he publicly opened, he needed to get some good press, and he knew just who to invite. Soon enough, they arrived.
“Miss Sanders, Miss Clarke,” he said, shaking their hands. “It is my pleasure to welcome you to my new museum.”
“Strange place for a museum,” Quicky muttered, looking at the small exterior, her comments drawing an annoyed look from Victoria.
“Oh, it’s much bigger on the inside,” Marco assured her, welcoming the two reporters inside.
“Wow!” Victoria gasped, looking at the displays of weapons, masks and pottery. The building was separated into several adjoining rooms, each one with specific theme: the Nile, the Pyramids, and a smaller room, which Marco dubbed the Desert.
“These are probably all fake,” Quicky whispered to Victoria. “There’s no reason why someone would open a museum in the middle of nowhere.”
“Calm down, Sanders,” Victoria replied. “Geez, not everyone is connected to the mob. Isn’t it nice to be enjoying some ancient exhibits rather than trudging around in the swamp?”
“Ladies, if you come this way,” Marco said, seemingly oblivious to Quicky’s boredom. He led them into the Desert room which, disappointingly, didn’t look much different to the others, featuring some old-fashioned columns, some rather generic-looking murals and some pottery and statuettes of cats.
“This is getting ridiculous,” Quicky said, rolling her eyes at Victoria’s admiration of cat statuettes. “Come on, you see more cats on Facebook.”
“Oh, you have no appreciation for art and history,” Victoria rebuked. “I’m sure there’s a story to each one of these pieces. Speaking of which, where’s Marco?”
He seemed to have disappeared while Victoria was ogling at cats. The lights flickered momentarily. Then, rather ominously, thick security doors slammed shut, sealing them inside the room.
“Did Marco trip the alarm?” Victoria wondered.
There was a soft sound coming from somewhere in the walls. Slits opened up, and a torrent of fine sand began pouring into the room.
“I guess this is why they call it the Desert room,” Sanders quipped. “And I don’t think this is part of the exhibit.”
The doors were tightly sealed and no amount of budging could get them open. There was nothing on the side that seemed to indicate an emergency release. The room had been purposely designed to prevent communication from the inside. Banging on the doors had no effect. It was quite obvious that Marco had set them up. The sand was up to their knees.
“There must be a way out,” said Victoria. “Don’t these rooms normally have some kind of puzzle?”
“I don’t think that’s how it works,” said Sanders. She pointed to the slits where the sand was pouring from. “We could block them. That could buy us from time.”
“There’s nothing here but cat statuettes,” Victoria observed.
The room continued to fill with sand. Was there any way out for the trapped reporters?
“Miss Sanders, Miss Clarke,” he said, shaking their hands. “It is my pleasure to welcome you to my new museum.”
“Strange place for a museum,” Quicky muttered, looking at the small exterior, her comments drawing an annoyed look from Victoria.
“Oh, it’s much bigger on the inside,” Marco assured her, welcoming the two reporters inside.
“Wow!” Victoria gasped, looking at the displays of weapons, masks and pottery. The building was separated into several adjoining rooms, each one with specific theme: the Nile, the Pyramids, and a smaller room, which Marco dubbed the Desert.
“These are probably all fake,” Quicky whispered to Victoria. “There’s no reason why someone would open a museum in the middle of nowhere.”
“Calm down, Sanders,” Victoria replied. “Geez, not everyone is connected to the mob. Isn’t it nice to be enjoying some ancient exhibits rather than trudging around in the swamp?”
“Ladies, if you come this way,” Marco said, seemingly oblivious to Quicky’s boredom. He led them into the Desert room which, disappointingly, didn’t look much different to the others, featuring some old-fashioned columns, some rather generic-looking murals and some pottery and statuettes of cats.
“This is getting ridiculous,” Quicky said, rolling her eyes at Victoria’s admiration of cat statuettes. “Come on, you see more cats on Facebook.”
“Oh, you have no appreciation for art and history,” Victoria rebuked. “I’m sure there’s a story to each one of these pieces. Speaking of which, where’s Marco?”
He seemed to have disappeared while Victoria was ogling at cats. The lights flickered momentarily. Then, rather ominously, thick security doors slammed shut, sealing them inside the room.
“Did Marco trip the alarm?” Victoria wondered.
There was a soft sound coming from somewhere in the walls. Slits opened up, and a torrent of fine sand began pouring into the room.
“I guess this is why they call it the Desert room,” Sanders quipped. “And I don’t think this is part of the exhibit.”
The doors were tightly sealed and no amount of budging could get them open. There was nothing on the side that seemed to indicate an emergency release. The room had been purposely designed to prevent communication from the inside. Banging on the doors had no effect. It was quite obvious that Marco had set them up. The sand was up to their knees.
“There must be a way out,” said Victoria. “Don’t these rooms normally have some kind of puzzle?”
“I don’t think that’s how it works,” said Sanders. She pointed to the slits where the sand was pouring from. “We could block them. That could buy us from time.”
“There’s nothing here but cat statuettes,” Victoria observed.
The room continued to fill with sand. Was there any way out for the trapped reporters?